I was asked by Italian DJ / producer GLEDD (also record label boss) to make a mix for his label’s series. If you’re not familiar, do yourself a favor and check out the Saint Wax catalogue- lots of dancefloor gems and heaters! My mix is 70mins, leaning heavily into Afro, Disco, & House, with some Latin and a bit of other trippy Psychedelic sounds blended in as well. Also a couple unreleased edits of mine in here. Enjoy the trip!
“Sonido Madera” is my tribute to the wide breadth of music from around the world that features the marimba, or one of it’s many cousins- the balafon, the xylophone, and the xalaparta among others. I’ve always been naturally attracted to the earthy percussive sound of wood resonating, and it’s become one of the most recurring instruments in my own music production without me even realizing it.
Perhaps it’s partly due to my background as a drummer, growing up in the forest surrounded by trees, or the fact that music highlighting the marimba is often connected to Africa, folkloric roots, and tropical locations which I love. Whatever the case may be, I have a deep appreciation for the sound of wood and the music it makes. This mix is a 70-minute musical world tour, with songs and artists from over 20 countries, including some tracks that date back to the 50’s and others that are brand new releases.
You’ll hear electronic dance music, Afrobeat, Cumbia, Colombian Bullerengue, Malian Disco, Jazz, Salsa, a touch of punk rock and even a cheeky nod to the “Exotica” music which essentially commercialized and re-branded authentic marimba based music for White audiences. There’s also a touch of Txalaparta music which I learned about in Basque Country, Spain, as well as a taste of Jegog music played on bamboo, which I first heard in Bali, Indonesia. Of course there are endless more examples of amazing wood-based music out there, harnessing the powerful voices of trees, and I hope this mix inspires listeners to keep exploring!
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The focus on wood-resonant instruments gives the mix a clear listening lens rather than treating marimba as a single fixed sound. Placing it alongside the balafon, xylophone, and xalaparta also makes the idea feel broader and more rooted in different musical traditions. The percussion angle is especially compelling because it points listeners toward texture and attack as much as melody. A short track-by-track note on which instrument leads each selection could make that thread even easier to follow.
In need of a proper soundtrack to keep your gratitude flowing and hips in motion while you stuff that Turducken? I got you! Once again I’m back with another 60 minutes of eclectic soulful dance music from around the world. Gospel disco, Brazilian boogie, Indian psychedelic synth grooves, Afro, Latin, Middle Eastern house music… it’s all here. Plus more of the good funky stuff that you didn’t know you needed, but you definitely do. Tune in and take a trip.
Full tracklist and download available on the BrooklynRadio page
A mix becomes more memorable when its range feels intentional rather than merely eclectic. Moving through gospel disco, Brazilian boogie, psychedelic synth, and house traditions suggests a set built around rhythm as a shared language across regions. That kind of sequencing can reward both close listening and a crowded room, since familiar grooves keep the more unexpected transitions grounded. Selection matters as much as genre labels here.
The range of styles makes the mix feel designed for movement without settling into one predictable mood. Moving from gospel disco and Brazilian boogie through psychedelic synth material and regional house sounds creates a useful reminder that a dancefloor sequence can be eclectic while still feeling intentional. For listeners approaching the set cold, a tracklist with timestamps would make it easier to revisit standout transitions and explore the individual artists afterward.
It’s been a long running tradition of mine to make a mix during the dog days of Summer. Something about these hot slow moving lazy weeks, mixed with the saudade of how fast it all passed by, make me feel really reflective & nostalgic. Hope these tunes help capture that mood for you too. 60mins of super eclectic global soul- Brazilian boogie, Balearic, Afrobeats, Afro House, Latin House, Disco and intercontinental vibes.
You can download the mix and get the full tracklist on the BrooklynRadio webpage
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The idea of a late-summer mix built around reflection gives the track selection a purpose beyond genre tags. Afrohouse, disco, and house can all carry warmth and movement, while still leaving room for the slower, nostalgic feeling described here. A mix works particularly well for that transition because its sequencing can let the mood shift gradually instead of demanding one fixed emotional note. That sense of pacing is what can make a seasonal listen feel cohesive.
I’m back once again with another 60 mins of super eclectic dance sounds from all around the globe. In case you didn’t already know- Mixtape Riot stands in total defiance of all things algorithm, seamlessly blending selections that would rarely find themselves back-to-back in a playlist elsewhere, creating a virtual sonic journey like cassette tape mixes from yesteryear. It’s about personality, soul, and making connections where you often least expect them. From Euro balearic reggae, to funky Brazilian soul, to Colombian Afro electronic, to Middle Eastern & West African disco, to house bangers & Amapiano & beyond… It’s all in the mix! Grease up them hip joints and open your mind to the intercontinental boogie.
Full tracklist and download available on the Brooklyn Radio page
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Direct from Los Angeles, ground zero of the climate crisis inferno, I’ve emerged from the smoke and ashes to share another 60 minutes of soulful sounds and bass heavy beats, specifically selected to help you cope during these extremely trying times. Perpetually genre defiant, this mix travels from South American psychedelic beats to Arabic disco, to Afro funk and house, all the way to techno infused modern club tracks from the likes of Jamie XX, Four Tet & Skrillex. Don’t overthink it! Just press play and let yourself go…
Full tracklist and download available on the Brooklyn Radio page
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Elliot • September 14, 2026
A 70-minute set gives the selector enough room to make the transitions between Afro, disco, house, Latin, and psychedelic textures feel intentional rather than rushed. The strongest approach is often to let rhythm establish the through-line first, then use the more unusual sounds as contrast points. That makes a guest mix easier to revisit while still leaving a distinct identity.
Arjun • September 20, 2026
A 70-minute set gives the selections room to develop instead of treating Afro, disco, house, Latin, and psychedelic touches as quick genre switches. The most useful thread here is the sequencing: a mix can keep a dancefloor-oriented pulse while letting percussion, bass, and atmosphere gradually change the mood. That approach makes the Saint Wax catalogue feel like a context for listening, rather than simply a list of tracks to sample individually.